02 May 2010

Black Sabbath

‘Earth’ aka ‘Black Sabbath’

Hugo Smart

John “Ozzy” Osbourne, Tommy Iommi, Geezer Butler, Bill Ward formed the band ‘Earth’ in 1968. When they were being confused with another band of the same name, they decided to change their name.

Reputedly, the band rehearsed across the road from a movie theatre which, at the time, was playing Boris Karloff’s film Black Sabbath. Butler wondered why people spent money to see scary movies. Osbourne, inspired by the occult, and Butler, apparently inspired by a vision of a silhouetted figure standing at his bed, wrote a song they called Black Sabbath. They renamed the band Black Sabbath in 1969. Their second album Paranoid was certified seven times platinum, and topped the UK best albums charts. It contains some of their most popular songs, such as “Ironman”, “Paranoid” and “War Pigs”.

They used the tritone (or diminished 5th, augmented 4th, Devil’s interval etc) and lyrics pertaining to the occult to create a darker feel for their music. This was in stark contrast to the “flower power” hippy music popular in the 60s. The guitarist Tommy Iommi lost the tips of his fingers in a sheet metal factory. He wore thimbles to cap off his missing fingertips, used lighter gauge strings and detuned his guitar a whole semitone. This contributed greatly to the bands “darker” sound.

Today, many heavy metal bands attribute their influence to Black Sabbath. It is standard practice among many metal acts to play with down-tuned guitars or 7 string guitars, or down-tuned 7 string guitars. The most common being “Dropped D tuning”, in which the lowest string of the guitar is tuned to D from E. This makes the notes of the strings DADGBE in ascending order. The perfect 5th made by the bottom strings facilitates power-chords to be played with greater ease.

Acts such as Slayer, Rage Against the Machine, Iron Maiden, Judas Priest, Anthrax, Metallica, Megadeth, Pantera, Lamb of God and more claim to be influenced by Black Sabbath. Lars Ulrich and James Hetfield (from Metallica) inducted Black Sabbath into the Rock and Roll Hall of Fame.

Sabbath got me started on all that evil-sounding shit, and it's stuck with meJames Hetfield, Metallica

“Their arrival ground hippy, flower-power psychedelia to a pulp and set the standard for all heavy bands to come." Tom Morello, Audioslave/ Rage Against the Machine

"They were and still are a groundbreaking band…They're on the leading edge of something extraordinary." Rob Halford, Judas Priest

"To create something from nothing is impossible (unless you're a wizard). So what Black Sabbath did was magic. These four wizards from Birmingham created a genre of music that didn't exist before” Scott Ian, Anthrax

"If anybody who plays heavy metal says that they weren't influenced by Black Sabbath's music, then I think that they're lying to you. I think all heavy metal music was, in some way, influenced by what Black Sabbath did." Chris Adler, Lamb of God

Sources

Palmer, Robert – Dancing in the Street: A Rock and Roll History, BBC Books

http://www.mtv.com/bands/m/metal/greatest_metal_bands/071406/index2.jhtml

http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=88379

1 comment:

Reuben said...

The arguments made here compellingly demonstrate the impact of Black Sabbath on popular attitudes towards tonality and the rise of pulp-horror informing the aesthetic of popular music. As stated, Black Sabbath has influenced popular sentiment towards types of tonality. The use of the tritone, as well as guitarist Tony Iommi’s detuning of his instrument by a semitone, has both reinforced the “dark” associations with such tonalities and, ironically, made them more acceptable to the mainstream. Likewise, the imagery of horror movies has played a clear role in lending a public mythos to rock, creating a cabaret profile for the music that fans could identify and remember. Perhaps the author could have further articulated what it was that was about horror and the occult that was appealing to young audiences underneath the shadow of the stifling ‘50s and ‘60s establishment.